Bantama Bros: Ko-Jo Cue and Kofi Jamar’s Bromance
It’s often said that words are powerful. That, whatever one says is bound to happen with immediacy or after some time- days, months, years, century or…
Evolution of Hip Hop And The DIY Acumen of Ghanaian Acts
Armed with DIY (Do It Yourself) spirit, hip hop artists in Ghana are finding ways beyond their talents to evolve with the times as they sell…
Is Life Living Records the Most Influential Label of 2020?
2020 might have been a fucked up year, globally. The COVID-19 pandemic, which engulfed the world from the aught of January 2020 had left in its…
THE CUTS: EP 06 VOL. 12
THE CUTS is a weekly review of newly released songs and videos. The songs and videos covered are not genre or region-specific. Once we find it…
Review: Temple’s Hip Hop Cred Shines Across “We Are Who We Are”
Temple stays true to his hip hop background on his features heavy album. “Chale, my tape go drop soon… E lef some few things to work…
Album Review: Mawcom X & Kuvie On “Gift of GOD”
“I’m not making music for Ghana, I’m making music from Ghana but it’s for the world’’- Mawcom X Technology has eased the way artists work. Geographical…
The New Kumerica Wave (Asakaa) Should Not Be Dismissed
The ‘’Kumerican’’ wave or “Asakaa” is gradually sweeping across the hip hop landscape despite its rawness. We should allow it to run its course. A legacy…
“Yard” Is A Timeless Song That Tulenkey Needs To Push
Almost a year after it was released, Tulenkey’s bombastic hip hop record “Yard” could win people over. “Which Tulenkey do you like?” is a question I…
TAKE BACK THE MIC; Become Africa’s Next Hip Hop Star!!!
Two-time Emmy Finalist Take Back the Mic® (TBTM) is coming to the continent as THE MIC: AFRICA Created by Emmy-nominated TV Producer, Host and MC, Ghana…
Sarkodie’s “CEO Flow” Is An Eye Poking Response To Critics
“Chale the fans still dey fuck with the nigga/ Over 17 years , lifetime hypnosis/ What else?” The enthralling scene in a movie for me is…