CulArt Blog https://validator.w3.org/feed/docs/rss2.html 0 2025 EDITION OF PA GYA! A LITERARY FESTIVAL IN ACCRA (OPEN CALL) Review: Ko-Jo Cue ft. Fameye – ”Abebrese” Riot Radio Unveils Groundbreaking EP ”Crop Top Florence”—A Bold Step for Ghanaian Hip-Hop Arathejay’s Mesmerizing Glitch Africa Performance Proves He’s Ghana’s Next Big Thing KWESI ARTHUR IS SEEKING HIS OWN ”NIRVANA” AND A FRESH START. KOOKUSI AND R.B.D DELIVER A THOUGHTFUL DISCOURSE ABOUT ADDICTION ON NEW EP ”ADDICTS ANONYMOUS” Afrobeats Sensation, Arathejay Taps Black Sherif for the Vibrant Remix ”Jesus Christ 2” KOOKUSI & RBD RELEASE JOINT EP ”ADDICTS ANONYMOUS” Worlasi Debuts New Single “Safia”; Announces Art Exhibition “EKA (A’line to yourLineage)” on August 17 in Accra Gafacci, Moliy and Jarreau Vandal Bring the Party spirit on New track”B2B” Patoranking’s Top Collaborations with Ghanaian Artists Smallgod Is Connecting The Dots Through Music And Fashion Rapper E.L Marks a Decade of Excellence with New ”B.A.R 7” Mixtape Roses Are Red, Tears Are Blue, Fountain Baby EP: A Sonic Poetry by Amaarae MUSIC COLLECTIVE SUPERJAZZCLUB RELEASES ‘MONOCHROME RADIO’ EP CULARTBLOG CULTURE CONVOS: KING PALUTA SUPERJAZZCLUB RELEASE KARMA ANTHEM ‘911’ Kweku Smoke is Solidifying His Stake in Hip Hop with ”Kweku Jesus” SUPERJAZZCLUB BEGIN NEW ERA WITH ‘OFF’ Ayisi Dazzles With Live Rendition of “Can I Live”; Watch Worlasi’s ”Who The F” Video Fameye teams up with Nigerian singer Patoranking on ‘Sober (Soo Bad); Litovibes unveils video for hit single ‘Gimme Love’ Beeztrap KOTM Is A Man With Big Ambitions and Dreams Daboy Kenzi out with sizzling new Afrobeats Song ‘Your Body’ Angels In Tibet, A Story of Luxury and Lust by Amaarae Kwaw Kese’s Quest to Reclaim the Hot Spot with ”Awoyo Sofo” Ghanaian Artist Exo Xan Drops a Soulful Escape in visuals for New Song ‘Calvary’ Highlife Artist, KOFI BRUCE Readies New Single ”Popular Stranger” Handling Fame and Attention As a Viral Star RAPPERHOLIC 2023 Review: Celebrating Musical Legacy & A Legend; The Rebirth of The Sarkcess Era. REVIEW: ZED AY KAY FT. M3NSA – MITSI SuperJazzClub’s “Welcome to the Club” and Dazed 100 Reviews Hint Spectacular 2024 #OccupyJulorbiHouse: Dear Artists, Here Is  Why You Need To Give A F**K! The  CUTS: S01 EP 2 THE CUTS: Part 1 Vol. 1 Rap Is Not Dead! <strong>Mista Myles Sings About Partners & Intimacy On New Single, “Body</strong> Singer-songwriter, Susan Augustt teams up with the Band Adorkor for debut album “Adorkor Volume 1” <strong> KJ.’s ‘Energy’ is a soul-stirring confession of desire and loyalty</strong> Sofie Takes Listeners on a vibrant, sonic journey with latest single ‘SUV’ <strong>FREE THE YOUTH Collaborates with Pharrell Williams’ SITW Festival as Official Merch Designers. </strong> Ground Up Chale Releases ‘’Trenches Babies: Tema 2 Chorkor’’ EP featuring Albabwoy and Kimati <strong>E.L Takes Music Lovers Partying on “Chop Life” </strong> SUCCESS IS HOW YOU DEFINE IT: A MUSIC CAREER TRUTH Dxniel Fxrbes Returns with New R&B single ” Get Down”. Metadata and Its Importance in Sanitizing The Music Scene Shasha Marley’s ”Twin City Mafia: A Song With Cultural and Historical Preservatory Values CULART Picks: 2023 Artistes To Watch In The Chest Of A Frustrated Concert Goer Kofi Bruce – The Hottest Talking Point in Palmwine Music Live Events Industry and How Artists Can Capitalize on the Space